The Indian film industry recently bid farewell to a true icon — legendary actor and filmmaker Manoj Kumar, whose death left a void in the hearts of fans and colleagues alike. While tributes poured in from across the country, it was Kumar’s brother, producer Manish Goswami, who offered a deeply personal glimpse into the late legend’s journey — one filled with struggle, camaraderie, and unmatched grace.
Manoj Kumar and Dharmendra nearly quit films together
Goswami revealed that during their early days in Mumbai, Manoj Kumar and Dharmendra were extremely close — so much so that they shared not just dreams, but even their clothes. In conversation with Vickey Lalwani, he said that the two legends began their careers with humble beginnings, hustling together at Ranjit Studios. “One day, both of them even decided to leave Bollywood and go back to their respective villages due to lack of work,” Goswami recalled.
The duo starred together in classics like Shaadi (1962) and Mera Naam Joker (1970). In the latter — directed by the great Raj Kapoor — their chemistry and brotherhood shone on screen, alongside legends like Rishi Kapoor and Simi Garewal.
Dharmendra broke down at Manoj Kumar's prayer meet
The emotional impact of Kumar’s passing was visible at his prayer meet. Dharmendra, who never referred to him by his stage name, chose to call him “Hari” — his real name, Harikrishna Giri Goswami. As Goswami recounted, Dharmendra broke down at the meet and said, “Hari, tu chala gaya mujhe chhod ke.”
The late actor shared deep bonds with many from the golden era — including Pran, Prem Chopra, and Kamini Kaushal.
A calm presence on set, a generous soul in life
Remembering his brother’s professional demeanor, Goswami shared anecdotes that reflected the respect Kumar commanded. “Shatrughan Sinha said that he never scolded me even if I was late,” he mentioned, adding that Saira Banu once told him Manoj Kumar was ready to shelve Purab Aur Paschim if she had declined the role. That film, of course, became one of the most iconic patriotic films in Hindi cinema.
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Manoj Kumar was known for being a cool-headed director — never raising his voice on set, regardless of delays or hiccups. His humility and patience set him apart not just as a filmmaker, but as a human being.
Fondly called “Bharat Kumar” for his roles in films that celebrated the spirit of India, Manoj Kumar left behind a cinematic legacy steeped in nationalism, sacrifice, and virtue. Whether through Upkar, Kranti, or Purab Aur Paschim, his storytelling always carried the weight of larger ideals.
Manoj Kumar and Dharmendra nearly quit films together
Goswami revealed that during their early days in Mumbai, Manoj Kumar and Dharmendra were extremely close — so much so that they shared not just dreams, but even their clothes. In conversation with Vickey Lalwani, he said that the two legends began their careers with humble beginnings, hustling together at Ranjit Studios. “One day, both of them even decided to leave Bollywood and go back to their respective villages due to lack of work,” Goswami recalled.
The duo starred together in classics like Shaadi (1962) and Mera Naam Joker (1970). In the latter — directed by the great Raj Kapoor — their chemistry and brotherhood shone on screen, alongside legends like Rishi Kapoor and Simi Garewal.
Dharmendra broke down at Manoj Kumar's prayer meet
The emotional impact of Kumar’s passing was visible at his prayer meet. Dharmendra, who never referred to him by his stage name, chose to call him “Hari” — his real name, Harikrishna Giri Goswami. As Goswami recounted, Dharmendra broke down at the meet and said, “Hari, tu chala gaya mujhe chhod ke.”
The late actor shared deep bonds with many from the golden era — including Pran, Prem Chopra, and Kamini Kaushal.
A calm presence on set, a generous soul in life
Remembering his brother’s professional demeanor, Goswami shared anecdotes that reflected the respect Kumar commanded. “Shatrughan Sinha said that he never scolded me even if I was late,” he mentioned, adding that Saira Banu once told him Manoj Kumar was ready to shelve Purab Aur Paschim if she had declined the role. That film, of course, became one of the most iconic patriotic films in Hindi cinema.
Video
Manoj Kumar was known for being a cool-headed director — never raising his voice on set, regardless of delays or hiccups. His humility and patience set him apart not just as a filmmaker, but as a human being.
Fondly called “Bharat Kumar” for his roles in films that celebrated the spirit of India, Manoj Kumar left behind a cinematic legacy steeped in nationalism, sacrifice, and virtue. Whether through Upkar, Kranti, or Purab Aur Paschim, his storytelling always carried the weight of larger ideals.
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